Joko Anwar's Impetigore delivers one of the strongest openers in southeast asian horror this decade

Impetigore opening scene

Come and See is terrifying without being horror

Come and See

The California Dreamin in Chungking Express stays iconic. A cop in a crisp uniform reaches for a wall under gritty city lights.

Chungking Express police officer scene

Still can't get over how emotional that Hachiko scene is

Hachiko scene reaction

Tony Leung in Cyclo (1995) and Hidden Blade (2023)

Toshiro Mifune just has that cinema aura

Toshiro Mifune aura

Tony Leung's aura is something else

Tony Leung cinematic mood

Ryuichi Sakamoto composed the score for Monster and it's one of those pieces that stays with you. It's genuinely memorable.

Ryuichi Sakamoto Monster score

Never stop obsessing over how Edward Yang makes Taipei at night come alive in '80s Asian cinema. that grainy aesthetic with blurred city lights hits different #EdwardYang #Movies

Edward Yang Taipei night edit

The way cinema makes the night come alive is an obsession. that busy street scene with bright neon signs and cars driving past trees on the left hits different. the vibe is vibrant, energetic, and straight up cinematic.

cinema night neon street

Tenet's opera sequence still stands as one of the wildest openings of the decade. Silhouettes against a stadium crowd set a dramatic mood

Tenet opera sequence

Takeshi Kaneshiro is linked to Lost and Found Cinema face cards

Joko Anwar's Impetigore delivers one of the strongest openers in southeast asian horror this decade

Impetigore opening scene

Come and See is terrifying without being horror

Come and See

The California Dreamin in Chungking Express stays iconic. A cop in a crisp uniform reaches for a wall under gritty city lights.

Chungking Express police officer scene

Still can't get over how emotional that Hachiko scene is

Hachiko scene reaction

Tony Leung in Cyclo (1995) and Hidden Blade (2023)

Toshiro Mifune just has that cinema aura

Toshiro Mifune aura

Tony Leung's aura is something else

Tony Leung cinematic mood

Ryuichi Sakamoto composed the score for Monster and it's one of those pieces that stays with you. It's genuinely memorable.

Ryuichi Sakamoto Monster score

Never stop obsessing over how Edward Yang makes Taipei at night come alive in '80s Asian cinema. that grainy aesthetic with blurred city lights hits different #EdwardYang #Movies

Edward Yang Taipei night edit

The way cinema makes the night come alive is an obsession. that busy street scene with bright neon signs and cars driving past trees on the left hits different. the vibe is vibrant, energetic, and straight up cinematic.

cinema night neon street

Tenet's opera sequence still stands as one of the wildest openings of the decade. Silhouettes against a stadium crowd set a dramatic mood

Tenet opera sequence

Takeshi Kaneshiro is linked to Lost and Found Cinema face cards